Freak vs Brilliant.
‘My light installations use the ‘camera obscura’ as a point of departure. They are immersive optical environments, idealized spaces with discreet openings. In translating the outside world into moving fields of light and color, the projections make an argument for unfixed notion of sight.’
‘You wander around on the street, absorbed in your own thoughts without having the time neither the will or the simple curiosity to look at other people. Just a second, one snapshot would nonetheless be enough to catch one piece of mind, the frailty of a mere thought. What is her or his story? Can I only guess it? What about the people they know, the places where they go, their fears and dreams? To which point can one imagine them by just looking at those anonyms? Does the eye of the camera have the power to sketch their stories on a single shot?’
